Nature, ecology and geomancy
HONG-JEY, Yoon, The image of nature in geomancy, GeoJournal 4.4 341-348/1980, Akademische Verlagsgesellschaft, Wiesbaden
LIPPARD, Lucy, Lure of the Local: Senses of Place in a Multicentered Society. NY: New Press, 1997.
LIP MONG HAR, Evelyn, Chinese Geomancy, Chinese Temples and Deities, Times Books International, Singapore, 1979
NEWMAN, Hugh, Megalith: Studies in Stone, 2018
TILLEY, Christopher, The Materiality of Stone, Explorations in Landscape Phenomenology, Berg Publishers, Oxford, 2004
BENNETT, Jane; Vibrant Matter, A political ecology of things, Duke University Press, 201
DEMOS, TJ, Against The Anthropocene, Visual Culture and Environment Today, Sternberg Press, 2017
GRANDE, John K. Intertwining: Landscape, Technology, Issues, Artists. Montreal and New York: Black Rose Books, 1998.
GUATTARI, Félix, The three ecologies, The Athlone Press, London, 2000,
HARAWAY, Donna; Staying With the Trouble, Duke University Press , 2016
HARMANSAH, Ömür, Of Rocks and Water : An Archaeology of Place, Oxbow Books, Oxford, 2014.
HERZOGENRATH, Bernd, Media Matter, The Materiality of Media, Matter as Medium, Bloomsbury Academic, 2017
KAHN, Douglas, Earth sound earth signal: energies and earth magnitude in the arts, UCP, LA, 2013
LIPPARD, Lucy; Overlay: Contemporary Art and the Art of Prehistory, The new press, 1995
LIPPARD, Lucy, Lure of the Local: Senses of Place in a Multicentered Society. New York : New Press, 1997.
LOWENHAUPT TSING, Anna; BUBANDT, Nils, Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene, University of Minnesota Press, 2017
MORTON, Tim, Realist Magic: Objects, Ontology, Causality, University of Michigan Library, 2013
MORTON, Tim, Dark Ecology: For a logic of future coexistence, Columbia University Press, 2016
PALLASMAA, Juhani, Los ojos de la piel, la arquitectura y los sentidos, Barcelona, Gustavo Gili, 2006.
REISS, Julie, ed. Art, Theory and Practice in the Anthropocene. Minneapolis: University of Minnesota Press, 2018.
SALAZAR SUTIL, Nicolás, Matter Transmission, Mediation in a Paleocyber Age, Bloomsbury Academic, 2018
SONFIST, Alan, Natural Phenomena as Public Monuments, en Jeffrey Kastner y Brian Wallis, Land and Environmental Art. London, Phaidon, 1998, pp. 257-258.
SUCHANTKE, Andreas, Eco-geography: what we see when we look at landscapes, Floris Books, 2001
SUDEBURG, Erika Ed., Space, Site, Intervention, Situating Installation Art, University of Minesota Press, 2000
TUAN, Yi-Fu, Space And Place: The Perspective of Experience, University of Minnesota Press, 2001
Sound:
BELINA, Mirna, Sonic Acts; Living Earth: Field Notes from the Dark Ecology Project 2014-2016, Sonic Acts, Netherlands, 2016
BIRNBAUM, D., FIEBRINK, R., MALLOCH, J., and WANDERLEY, M., 2005, Towards a Dimension Space for Musical Artifacts. New Interfaces for Musical Expression (NIME05), Vancouver, BC, Canada, 2005
BLESSER, Barry; SALTER, Linda-Ruth; Aural Architecture: The Invisible Experience of Space. Immersed. Sound and Architecture, Revista OASE, (78), 50–56. 2009
DEVEREUX, Paul, Stone Age Soundtracks, The Acoustic Archaeology of Ancient Sites Vega, London. Sterling Publishing
FARINA STUART, Ecoacoustics: The Ecological Role of Sounds, 2017
GARCIA, Margarida; BJORN, Schmelzer; Time Regained – An Warburg Atlas for Early Music, MER, Paper Kunsthalle, 2018.
GODWIN, Jocelyn; Harmonies of heaven and earth : the spiritual dimensions of music from antiquity to the avant-garde; London : Thames and Hudson, 1987.
HERZOGENRATH, Bernd, Sonic Thinking, A Media Philosophical Approach, Bloomsbury Academic, 2018
JAEGER, Peter; John Cage and Buddhist Ecopoetics, Bloomsbury Academic, 2013
JAMES, Jamie; The Music of the Spheres, Ed. Copernicus, 1995
KIM-COHEN, Seth, In the Blink of an Ear, Toward a Non-Cochlear Sonic Art, bloomsbury Academic, 2009
KIM-COHEN, Seth, Against Ambience and Other Essays, Bloomsbury Academic, 2016
LABELLE, Brandon, Acoustic Territories, Sound Culture and Everyday Life, Bloomsbury Academic, 2010
MAGNUSSON, Thor; Sonic Writing, Technologies of Material, Symbolic, and Signal Inscriptions, Bloomsbury Academic, 2019
MOISALA, Pirkko; LEPPÄNEN, Taru; TIAINEN, Mila; VÄÄTÄINEN, Hanna; Musical Encounters with Deleuze and Guattari, Bloomsbury Academic, 2018
SCHRIMSHAW, Will; Immanence and Immersion, on the acoustic condition in contemporary art, Bloomsbury Academic, 2017
SCHWARZ, D. The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis, New Interfaces for Musical Expression (NIME), 2012.
STOCKER, Michael, Hear Where We Are: Sound, Ecology, and Sense of Place 2013
VAN DER VELDEN, Lucas; BELINA, Mirna; ALTENA, Arie, The Geologic Imagination – Sonic Acts 2015 –
Includes a USB with the soundwork by BJ Nilsen, Sonic Acts, 2015
VAN ECK, Cathy; Between Air and Electricity Microphones and Loudspeakers as Musical Instruments, Bloomsbury Academic, 2018
Technology:
LOPREIATO, P., ‘Reflections on art, nature and technology: The role of technology, algorithm, nature, psyche and imagination in the aspiration of an aesthetic experience’, Technoetic Arts: A Journal of Speculative Research 12: 2+3, pp. 423–428
MARSCHING, Jane; POLLI, Andrea, eds. Far Field: Digital Culture, Climate Change and the Poles. Bristol, UK; Chicago, USA : Intellect, 2012.
MULDER, Arjen, BROUWER, Joke, Interact or Die! 2007
TANAKA, A. Sensor -based Instruments and Interactive Music, pp. 233-255 in R. Dean, The Oxford Handbook of Computer Music. Oxford University Press, 2009
On geomancy and sound 