Soundart research on landscape as score. Speculative Topology, anthropocene and geomancy. A Thesis by Coco Moya
Christian Salablanca, Geometría del centro, 2020 Christian Salablanca, Geometría del centro, 2020 Geometría del centro (Geometry of the Centre), 2020, emerged from a field trip Salablanca undertook in 2020, along with five artists and the team from FLORA ars+natura, to the Sierra Nevada de Santa Marta, a mountain range in northern Colombia that is home to the Kogui,... Leer más →
Laurie Spiegel partició en el Golden Record, con una pieza que abre el disco basada en las anotaciones sobre la música de las esferas del libro “Harmonices mundi”, (1619), Johannes Kepler, donde amplía el antiguo concepto filosófico de la música universal o música de las esferas donde habría una correspondencia sonora, matemática y física de... Leer más →
Joanna used to say that she just “heard the music of the spheres” and she did strange abstract drawings trying to “write down” what she heard. In many ways her music was an effort to re-member that music that was already there. The same with her poems, which she said were more about “the space in-between... Leer más →
http://www.educomelles.com/2019/06/prau-prat.html Prau · Prat (Meadow in asturian and catalan) engages with the idea of the soundscape as an ecosystem to build an acoustic and visual context in which nothing is what it seems and where technology emulates the natural world.Understood as a symbolic landscape, the meadow is made up of a top visible layer of... Leer más →
https://roelsworld.eu/en/blog-saxophone/coltrane-tone-circle/ FOREWORD I do like to mention that I am no “authority” or “expert” when it comes to Coltrane’s work, or the music theory behind it and the compositions themselves. And as sax player, well, I’m still miles away from even standing in the giant shadow he cast … not to mention his giant footsteps. Anyway, as... Leer más →
Site specific Art, Nick Kaye.. Book https://monoskop.org/images/8/8d/Kaye_Nick_Site-Specific_Art_Performance_Place_and_Documentation.pdf Biography Meredith Monk: a composer, singer, filmmaker, choreographer and director based in New York. A pioneer in what is now called ‘extended vocal technique’ and ‘interdisciplinary performance’, she is the fourth generation singer in her family. Since graduating from Sarah Lawrence College in 1964, she has created more... Leer más →
http://juanzamora.com/ Hay un árbol muerto cerca de mi estudio aquí en ÖRES, Finlandia, que tiene una grieta enorme en su tronco y está completamente hueco por dentro. Mientras lo dibujo, me pregunto: ¿a qué sonará ese vacío? Para saberlo, he superpuesto una cuerda -de arpa- sobre su agujero como si este fuera la boca de... Leer más →
https://www.carlosirijalba.com/endotic/ ”A beaver’s DNA doesn’t stop expressing itself at the end of its whiskers, but at the edge ofits dam,” writes the ecological theorist Timothy Morton. What if the physics of entropy were sliding between humans and objects as pure inertia? What if an engine’s exhaust pipe- the part that directs smoke from the guts... Leer más →
Cave Skins, Relation space-history-tecnology and history of technology. https://www.carlosirijalba.com/skins/ SKINS (castellano) En el momento álgido de la crisis económica española en 2010, visité en Madrid una compañía, dedicada a las reproducciones y réplicas en tres dimensiones, que en cuestión de cinco años pasó de aparecer en Science Magazine a realizar trabajos de producción de supervivencia como... Leer más →
Jennifer Berezan (2000), grabó “ReTurning” en la cámara del oráculo en el Hipogeo de Hal Salfieni, en Malta. [Es un disco muy de clase de yoga, la verdad], lo que ella describió como “cantar bajo la tierra, en un lugar que ha isido usado durante miles de años para hacer rituales, para oráculos, para profescías.... Leer más →
